From Paris with Love, you see two distinctly different marketing strategies. One set of trailers and TV spot bills it as a hard-boiled action flick, with Travolta unleashing a fury of bullets. The other focuses on the much lesser known Jonathan Rhys-Meyers as he deals with the comedic situations placed on him through the Travolta character. If you can go in with an open mind, you'll see that both approaches ring true for better or worse.
ur story starts with a long dose of James Reece (Jonathan Rhys Meyers). He's the personal aid to the U.S Ambassador to France. Known for book smarts, his side task of spying for his country affords him the opportunity to place bugs and switch plates. At his flat, his girlfriend Caroline (Kasia Smutniak) has to deal with being kept in the dark. When the opportunity for more dangerous work presents itself, Reece is given a partner in the form of Charlie Wax (John Travolta). Wax is a fast-talking, trigger-happy, manic whose order to do as he pleases may just be too much for Reece.
The two J's make for a great team. On one end you have Reece leading the audience into the underground world of mayhem while trying to keep his wits about him. On the other there is the everyman's adrenaline junkie who may not be too old just yet. And for what it's worth, in a throwaway action flick, there's a genuine sense of fun in the air. However, the emphasis on mindless chaos puts a damper on the mood. There are numerous moments where the pace hiccups all the way to 11. I sure would have appreciated a briefing of sorts instead of a simple kill everyone mentality. Even with the agenda to smite the terrorists, there is an explosive moment near the end that exists for zero narrative purpose. Maybe Wax was having so much fun flirting with diegetic sound that he forgot to fire his bazooka, opting instead to save it for a more dramatic moment. You just can't have the kill happy hero abort and purse a target at the same time. If you are sick of The Dark Knight method of shooting fists juxtaposed with fallen bodies, From Paris with Love will be a good movie for you.
Wax is a character that is unfortunately placed in the narrative's backseat. To better understand what I'm talking about, look at Lethal Weapon. In that film the two cop buddies have a developed background. We see their homes, we see Murtaugh's family and Riggs' dog. Well in From Paris with Love the only character you get to know the history of or see the private love of is Reece. At 92 minutes, there certainly could have been time allotted to explore Wax, but the screenplay shuns it. Maybe some time to cool down with his side of life would have helped reduce the jerky pacing. Man, I feel the love for you Paris but I'm not sure that I'm getting it back.
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